Visualizzazione post con etichetta graffiti. Mostra tutti i post
Visualizzazione post con etichetta graffiti. Mostra tutti i post

mercoledì 30 marzo 2011

Arnaud Pagès, the Free Figuration Kid





Arnaud Pagès is a french illustrator based in Paris. Class 1971, his work is pretty inlfuenced by pop art and street-art and the massive use of fluorescent colors reminds us of the 80s. However, his début as a painter dates back to 90s.
Mao - traditional drawing colored with photoshop, 2011.

Hi Arnaud, you defined your work as a ‘cultural crossover’. What do you mean with this?

As a painter, i’ve been influenced by a lot of things. Music, movies, fashion, graffiti, classic paintings, modern paintings, tribal paintings, street-art, books, magazines, comics, cartoons, advertisings etc… And i guess that all these influences have shaped the way i’m making art. I have respect and admiraton for painters who died 400 years ago as much as for graffiti artists. So when i say « cultural crossover » i mean that my art is made of all these elements. It’s not only street art or pop art. It’s much more than this.

Artists (of all the times) you admire.

Well, there's a lot but i think that if i really had to make a choice, i would say Michelangelo, Matisse, Picasso, Fernand Léger, Warhol, Keith Haring !


Bad Gaga - traditional drawing colored with photoshop, 2011.


Who are the main characters of your work?

I don’t have specific characters… I prefer to make exhibitions that are telling stories… Like what i did with the « Fifteen Most Corrupted  project » . It was an exhibition about the fifteen guys the most corrupted of the 20th century, as Nixon or Mobutu. It’s much more the idea or the concept that i use to create my artworks.

How much importance do you give to shape, space and colors in your artworks? 

Color is definitivly very very important ! I use color as a « signature ». The way you put colors togethers can create something very strong. That’s what i do. Space is not so important for me… In fact i don’t do a specific work about space…  I always use the same, or similar,  spaces on my canvas. And shape is my drawing style. Shape and colors togethers, it’s 90% of my art.


Kennedy Was King - traditional drawing colored with photoshop, 2010.

What’s the Figuration Libre and why do you define yourself a ‘free figuration kid’ ?

Free figuration, also called "Figuration Libre" has been very important for me and for a lot painters from the 90's generation. It's a real mix beetween classical influences, pop art, graffiti, rock'n'roll, comics... It was created by guys like Haring, Basquiat or Ben. It's a link between pop art and graffiti art, and it's really the next episode of the pop art adventure. In France, we have Combas and Di Rosa. They are great painters. So, as i say i'm a free figuration kid. Cause i've been deeply influenced by all these great painters.


Marylin Was F***** - traditional drawing colored with photoshop, 2010.

Something you do when you’re procrastinating?

I do my best for never procrastinating. Cause as i’m always very busy on several projects at the same time, so when i’m late on one project, it makes me late on all the others ! Sometimes i’m too tired to make good work, so i make a break, sleep a few, drink cofee and eat something. And when i feel it’s ok i go back working hard.

Which International art galleries have you exhibited your work at? 

I’ve been showing my work in Hong Kong at G999 gallery and Kapok gallery. And also in London at the OFR gallery. But i’ve been mostly exhibiting my work in France. Of course, i would love making more exhibitions outside of my country.


Milosevic Is Corrupted - traditional drawing colored with photoshop, 2009.

What’s your most dreamed art gallery ever?

Léo Castelli ! Definitively, the most influent curator of the 20th century !

One reason you make art. 

Because it's my life. It's not a job, not a passion, not a way to make my name famous, it's just my life. It's just me. I'm a natural born painter !
And it’s really like a drug. I can’t live without painting or draiwing.

What are you working on right now?

Actualy i'm working on my next collaboration with the french brand Kulte. The "Eighties Kid Academy" will be released in june. Stay tuned. More projects are arriving from now until the end of the year… And i've launched "Art to Sell" : it’s my « limited editions » project. Feel free to check the website. You can buy a limited edition eaven if you’re not in France. All are numereoted and signed and very exclusive. There’s just a few number of copy for each drawing.  
Feel free to have a look: http://arnaudpagesarttosell.ultra-book.com/

Suharto Is Corrupted - traditional drawing colored with photoshop, 2009.


Website: 
http://pages.arnaud.free.fr/
Ultra-book.com:
http://arnaudpages.ultra-book.com/

martedì 26 gennaio 2010

Art of Chris Brett


Don't Hate!




Chris (1982, Calgary, Canada) what drew you into the graffiti, cartoons & children’s books world?

Well cartoons and childrens books were a big part of growing up, for most people id assume. That just stuck with me over the years as a nostalgic sense of fun and innocence's that i could draw from (pun intended). The graffiti began in about 96-97 when i was taking the train to my highschool everyday. I used to see these 2 crews AST and PJF all over the warehouses and backs of commercial buildings along the train line, and became very curious about who was doing this and how. I met a couple other guys from my school who had just started painting themselves and they brought me out one night to paint this abandoned waterslide park.. I was hooked after that. I moved to the Toronto area in 2001 where i met some real motivated and talented writers, and from there i was a graffiti junkie for about 4 years. I was painting about 4-5 nights a week until sunrise most times, and id go to bed and dream about painting again the next day. That time in my life was probably one of the most fun and productive times i have ever experienced. I owe alot of my success to those people showing me the ropes of graffiti and art in general.



Sound Byte - Amoebot series




Your style can be described as a hybrid of styles.True?

Ya i suppose that is true. I always have a tough time describing my style. Its a variety of different elements and styles sorta put into the artistic blender and made up into my own creative milkshake. I have alot of influences from both old and new artists, friends, cartoons, books, MAD magazine, graffiti, and probably alot more that im not even completely aware of are mixed in there.



Crash & Burn




What’s your favorite painting technique?

Im not sure if its a technique necessarily, but my process involves layers, texture and pattern. I use alot of mixed media so i find myself using all sorts of different techniques to try and achieve what it is im looking for, and sometimes just to see what might happen if i try something else. It all depends on how im feeling about what im doing at the moment. Throwing alot of paint around when i make my backgrounds is probably the most fun area of making new works... is throwing paint a technique?



Fickled Pink




Your work is very rich of color and hides a deep sense of humor. What’s the message?

I like to leave the message up to the viewer mostly. I work with themes of love, lose, lust sometimes, other times things might be based around fairytales and life lessons ive learned over the years. For me, im always trying to achieve a sense of conflict within the characters themselves. Sometimes this has a very clear meaning and message, other times its a little more hidden. When people look at my work i hope they can somehow relate aspects of it back into there own personal lives, and accept the idea the life aint perfect, but you can still have some fun. On a large scale id like the message to be, "Dont take life too serious, just roll with the punches".



Orgasmo - Amoebot series




How do you develop your characters and where do they come from?

All my characters begin in the sketchbook as doodles. I just get my hand moving alot of the times and see what shapes and marks i can make, and then if i see something that i can turn into an idea or character, i chase after that idea. Its all very random, i never sit down with the intent of making a specific character or idea come to life. I like to just let my brain pour out onto the pages and reconstruct something fun from all the mess.



MeltDown Dessert




What inspires you to paint?

My friends & family are number 1, they are all super supportive of my creative endeavors, and aren't afraid to tell me if something is crap or spectacular. Music and books have alot to do with what inspires me aswell. Music especially. Song lyrics and sounds can often spark new ideas and get me really pumped up on spending a night in the studio painting.



Frostys Lament




When you’re planning out a piece, how do you arrive at the finished product?

After the whole doodling process, and after i've refined an idea from those doodles, i generally just sit down and get busy. Sometimes the finished product can change dramatically and other times it stays right on target with the original drawing. Ever piece gets to a certain stage where i have to really sit back and look at what's going on, it might even take me another day or two to figure out what is missing from a painting before i consider it done. Once it arrives at the finished product, i just know. I think most paintings are never really complete, just completed to a point where i am very satisfied with the result.



Heaven & Hell




Tell me about your last group show, “From Me To You” presented by Show & Tell Gallery (’09). Was it a good experience?

It was a great experience! It was fantastic to be showing with such a great lineup of talented artists. The gallery owner Simon Cole is a great human being and im just honored to be apart of the exhibit. Hopefully the first of many to come at Show & Tell.



Nuclear Winter




Do you usually collaborate with other artists?

I have collaborated in the past with other artists, but generally im a bit of a lone wolf. In the early graffiti years i did alot of collabo work with my buddies, but in terms of the fine art or illustration scene, i tend not to.



Two Days Slow




What’s next for you?

Well i have a handful of group shows in the first half of 2010 in Des Moines, Toronto, New York, Seattle and possibly Boston. Im also ironing out details for a few side projects and private commisions, so its looking to be a great start to the year so far. After all that, i plan to move out west to Vancouver and try a few years on the left coast.


http://www.chrisbrett.ca/